![]() “The characters are modern rather than traditional in approach and temperament, and dialogue…has a very contemporary rhythm and sound to it, and we didn’t want a traditional Western score.” ![]() “The picture was designed for a contemporary feel,” Hill, a Yale music major, said in a documentary about Butch Cassidy filmed in 1968-69. It remains an irresistible earworm and perfectly suited to a film that was made for its rebellious, radical times and went against the traditional Western grain. ![]() But thanks to its charismatic leads-Paul Newman and Robert Redford as “two-bit outlaws on the dodge”-William Goldman’s puckish, Oscar-winning script, and, especially, Bacharach’s unconventional score, the film went on to be the biggest box office hit of 1969 and has since been embraced as a classic.Ĭomposed by Burt Bacharach and lyricist Hal David, “Raindrops” is the film’s breakout hit and its legacy song an upbeat and indefatigable ode to feeling free. When it premiered 50 years ago this week, George Roy Hill’s revisionist Western initially struggled with critics. Stevens was far from the last person who didn’t quite get “Raindrops Keep Fallin’ on My Head”-or Butch Cassidy and the Sundance Kid, for that matter. “I don’t know why anyone would pass on a song that’s going to be in a Paul Newman movie,” Thomas said in a recent interview. Though it’s Thomas’s voice, scratchy from laryngitis, that sings “Raindrops Keep Fallin’ on My Head” over the classic bicycle sequence in Butch Cassidy and the Sundance Kid, composer Bacharach initially brought the song to Ray Stevens, best known at the time for such novelty hits as “Along Came Jones” and “Gitarzan.” Stevens passed, and his loss was Thomas’s gain. Thomas knows he wasn’t Burt Bacharach’s first choice.
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